Tag Archives: photography

Will Facebook’s Obscenity Police Ever Accept Photos as Art?

Yet another article on this subject matter, which can be read here: http://www.blouinartinfo.com/news/story/889699/will-facebooks-obscenity-police-ever-accept-photos-as-art#comment-423084.  In response, I have written a long and detailed comment which can also be read here-under:-

“I have read this subject matter on numerous occasions, the content of which is primarily repetitive, as the issue is always the same. Primarily, Facebook not only have no understanding of the arts, they also have no interest. The owners and the management give the impression of being uncouth and uncultured, so is it any wonder that such issues exist.

Facebook only address such issues after the event (and then only for the select few, as Facebook are essentially impossible to communicate with!). The statement above wherein you write that Facebook’s Frederic Wolens quoted Courbet’s L’Origine du Monde as an example, is amusing to say the least, and simply demonstrates a limited repertoire of excuses.

I am well acquainted with both Frode Steinicke and Luc Wouters and extremely familiar with the absurdity of the ban of Courbet’s L’Origine du Monde. A case where Facebook clearly bit off more than they could chew, and as you correctly state, where as a result “ridiculed around the world”. However, I’m not so sure that Facebook being ridiculed globally is of any major significance to Mr. Zuckerberg , as his image of a corporate dictator, now expands beyond the corporation and constantly spills into the public domain. Effectively, Mr. Zuckerberg has positioned himself as a dictator as to what is and isn’t art and also as a dictator of the public that use the Facebook platform. Effectively, users are frequently disciplined like small children with no means or rights of recourse.

With regard to your proposal that qualified art institutions should be treated differently, I find this ludicrous and in no way taking into account or respecting the status of established art galleries and the artists themselves. Why should the latter be segregated, as without the artists, the art institutions themselves would not exist, in the same way as art would not exist if curatorial responsibilities were left to Facebook (as you rightly point-out).

Additionally, a lot of the censorship resulting in accounts being blocked or disabled seem to amount to nothing more than individual victimisation. If I may take myself as an example, wherein my own personal account is on average blocked for 30 days every 2 weeks or so. As I write my account is blocked, following my having shared (yes shared not posted) a post from my own official artist’s Facebook Page. The post in question was not made by myself, but by one of several administrators of my page. The post pertained to one of my own artworks, which I subsequently shared via my personal page. As a result, my account was once again blocked, yet the artwork in question was not removed or sanctioned in any way. In my opinion, nothing more than pure victimisation.

It is also worth noting that Facebook is awash with pornography or sexually titillating images of zero artistic merit, yet these are seemingly allowed because they apparently do not breach the Facebook Terms and Conditions. Obviously an increasingly ludicrous situation therefore and not one that I envisage is going to improve anytime soon.

Moving to the subject of Pinterest, it is interesting that you should make reference to them. I also maintain a Pinterest account and of late am receiving continued notification of post that I have shared from other pages, which apparently do not meet terms and conditions. However, as it is not I who made these posts (I simply shared them!), it’s not quite clear why I am receiving notice of posts pertaining to another party. I also maintain a Pinterest Board which depicts my own artworks, none of which have been removed to date, the majority of which have elements of nudity. I have written to Pinterest on this subject (as least they have a basis of communication, which is more than can be said for Facebook!), informing them that I am opposed to them imposing their censorship policies, especially where the posts do not pertain to me. However, I have also notified them that should any of my own artwork posts be deleted, I will close my account forthwith, as under no circumstances will I condone censorship of the arts (the message in question may be viewed via my blog: http://photoconception.com/blog/?p=1115). This resulted in a standard generic response, to which I again replied, indicating that the issue required a response from a living person. To date, no further reply has been forthcoming, which suggests one of several possibilities. Either Pinterest have no living persons and are thus unable to reply, do not know how to reply or lastly have simply decided not to reply. Whatever the excuse, no reply comes as no major surprise. Ultimately however, Pinterest are not Facebook, and if they decide to follow the route of Facebook, I would not wish to bet money as to the duration they will continue to be in business.

It’s a sad world in which we live, where censorship policies seem to be more severe than they were back in the middle ages. Is this progress I ask myself, certainly it is not from an artistic perspective.”

From digital camera to print, what are the options? Thomas Hodges « Art, Antiques and Luxury Design Blog

My first article for the blog “Art, Antiques and Luxury Design”, to whom I will be contributing on a regular basis.  Click the link below to read.

From digital camera to print, what are the options? Thomas Hodges « Art, Antiques and Luxury Design Blog.

Propaganda ~ Inauguration and Exhibition at Taiwan Photo

On 4th October 2012 my artwork series “Propaganda” was inaugurated at the VIP preview of Taiwan Photo, staged in Taipei, Taiwan.  Photographs of the inauguration can be seen via this link and additional photographs of the Taiwan Photo Art Fair can be viewed via this link, both of which are albums shown on my official Facebook page.  The series consists of 12 artworks, each depicting a nude figure (6 female and 6 male), upon which propaganda posters of the period in question have been super-imposed.  Each figure is depicted against a representational back-ground of photographic/graphic origin.  Each artwork is available as an edition of 4. Measuring approximately 100cm on the longest edge (depending upon the artwork in question).  Specific details are shown on the image above.

The series is a unique way of presenting the influential imagery and messages used by the government to influence the thinking and mind-set  of the population of the People’s Republic of China during the respective periods.  A full explanation of the series in the form of PDF documents, can be found via these links: Propaganda (English) and Propaganda (Chinese).

Subsequent to Taiwan Photo, the artworks will exhibit be the subject of gallery exhibitions in Taiwan, and subsequently at public Museums in both Taiwan and Mainland China.  The series will also be exhibited at selective gallery venues in Singapore and Hong Kong.

The full series can be viewed in high-resolution HERE.

SQUIDWHO ~ The People’s Who Who

Perhaps you have never heard of “Squid Who”, because until recently I hadn’t either.  However, one of the followers of my work, who herself is a talented artist, has created an entry for myself, which can be found HERE.  The entries are updated on a regular basis and it’s quite interesting for me to see somebody’s perspective on their presentation of a wide cross-section of my works.

Met-Art Covers

"Yangtze" Cover 2010

"Wang" Cover 2007

Despite the fact that I hold a contract with the globally renowned nude art magazine ”Met-Art”, I rarely contribute to them.  However in November 2010 (following on from my 2007 cover), my second cover was published, this time entitled “Yangtze”.  A search of my name via the Met-Art website will provide you more information and sample images from the two series in question.

Arte Fatto

Dating back to October 2011, my work was shown in a collective exhibition in Verona, Italy, organised via my representing gallery, Galleria Massella.

Art Erotica – Cork Street, London 19th – 27th January 2012

Erotic art has a long and distinguished, if controversial, tradition in the history of modern art. Arguably, eroticism in art brings us closer to our humanity, yet there are few genres in the arts that have been as under-represented and unjustly maligned as expressions of what we, in all our rich diversity, find erotic.

Art Erotica is a new event in the London art calendar that will present a long- overdue, high-profile opportunity to exhibit for artists producing work in the erotic genre. Brought to you by the organizers of the Cork Street Open Exhibition – a respected international event, founded four years ago – Art Erotica will benefit a selected charity and will be juried, with submitted work carefully and rigorously chosen for exhibition by a panel drawn from leading figures in the UK art world.

The diverse Exhibition will span most mediums, including painting, photography, digital art, sculpture, drawing, mixed media construction and original prints by emerging and established artists from around the world. Photographs by American photographer James Armstrong, and drawings by internationally acclaimed artist Jamil Nasqh, will be shown for the first time.

In addition to spectacular visual art we are happy to present talks and public readings by a stellar line-up of art historians, critics, philosophers and actors, all focused on the erotic theme.

We invite you to join us in January to explore, discover and discuss Art Erotica. The full events programme can be downloaded HERE

Information and Tickets: Web: www.ArtEroticaExhibition.co.uk - Email: info@ArtEroticaExhibition.co.uk

I have two artworks short-listed for this event, which are the following:-

Shunga

Size: 98cm High x 128cm Wide
Medium: Archival Pigment Print Photograph on Hahnemühle Bamboo.

The piece entered is No. 4 of 4. There are 4 Available.

Full info: HERE

Inversion, Pervsion

Medium: Archival Pigment Print Photograph on Hahnemühle Photo Rag

Size: 68cm High x 88cm Wide

The piece entered is No. 2 of 5 There are 4 Available.

Full info: HERE

For additional information please feel free to e-mail me directly.

Abstraction ~ early works . . .

Stones

Archival pigment print on Ilford Galerie Smooth Pearl (9 mm). Available as an edition of 5 (+ 2 a.p.). Artwork measures 140 cm (55.12″) x 110cm (43.31″). Dry mounted with passe-partout boarder, framed behind glass. Signed, dated and numbered verso, with Certificate of Authenticity.

 

HiHi

Black and white archival pigment print on Duratran Opaline. Available as an edition of 3 (+ 1 a.p.). Framed against an LED back-lit white-board. Artwork measures 120 cm (47.24″) x 90 cm (35.43″). Signed, dated and numbered verso, with Certificate of Authenticity.

“HiHi” is an award winning image (Black and White Spider Awards), and is also published in “The World’s Greatest Black & White Photography, Volume 1“. Read Press Release HERE.

 

Golden Pond

Archival pigment print on Innova FibaPrint Ultra Smooth Gloss (285 g/m2). Available as an edition of 5 (+ 2 a.p.). Dry mounted with passe-partout boarder, framed behind glass. Artwork measures 60 cm (23.62″) x 40cm (15.75″). Signed, dated and numbered verso, with Certificate of Authenticity.

 

Falling Star

Archival pigment print on Hahnemühle Photo Rag 308 (g/m2). Available as an edition of 5 (+ 2 a.p.). Dry mounted with passe-partout boarder, framed behind glass. Artwork measures 60 cm (23.62″) x 40cm (15.75″). Signed, dated and numbered verso, with Certificate of Authenticity.

The above 4 artworks can be viewed online in high-resolution HERE. Available internationally via selective representives, please contact me, for additional information.

Fire In The Sky

Alien Illusion, from the Fire in the Sky series

A Japanese Lanscape, from the Fire in the Sky series

Although I am best known for my figurative works, I retain a passion for landscape, abstract and  architecture images.  Fire in the Sky is a very good example of this passion, a burning sunset against a mysterious landscape, coupled to my now signature style of long exposures and resulting motion blur, giving mysterious illusions.

Fire in the Sky is a series of 9 artworks, produced in 2007.  Each artwork is available in 5 editions, signed, dated and numbered verso, with Certificate of Authenticity.  Archival pigment prints on Hahnemühle Photo Rag Satin (310 g/m2), dry mounted and framed behind Plexiglas.  Works measure 80cm x 60cm.

The full series of 9 artworks can be viewed HERE.  Available internationally via my network of representatives. Please contact me for additional information.

Utopia

Utopia ~ the series

Utopia ~ the series

Utopia is a series of 16 artworks, produced in 2009.  In essence, they are images of a fantasy, the perfect world.  Imaginistic!  Each artwork is available in an edition of 4 (+2 a.p.).  Cross-tone archival pigment prints on Hahnemühle Photo Rag 308 (g/m2).  Dry mounted and framed behind glass.  Signed, dated and numbered verso, with Certificate of Authenticity.  Artworks measure 60cm (23.62″) x 40cm (15.75″).

Available internationally via authorised representatives, the full series of 16 artworks can be viewed HERE. Please contact me for additional information and details of your nearest representative.