Author Archives: Thomas Hodges

Will Facebook’s Obscenity Police Ever Accept Photos as Art?

Yet another article on this subject matter, which can be read here: http://www.blouinartinfo.com/news/story/889699/will-facebooks-obscenity-police-ever-accept-photos-as-art#comment-423084.  In response, I have written a long and detailed comment which can also be read here-under:-

“I have read this subject matter on numerous occasions, the content of which is primarily repetitive, as the issue is always the same. Primarily, Facebook not only have no understanding of the arts, they also have no interest. The owners and the management give the impression of being uncouth and uncultured, so is it any wonder that such issues exist.

Facebook only address such issues after the event (and then only for the select few, as Facebook are essentially impossible to communicate with!). The statement above wherein you write that Facebook’s Frederic Wolens quoted Courbet’s L’Origine du Monde as an example, is amusing to say the least, and simply demonstrates a limited repertoire of excuses.

I am well acquainted with both Frode Steinicke and Luc Wouters and extremely familiar with the absurdity of the ban of Courbet’s L’Origine du Monde. A case where Facebook clearly bit off more than they could chew, and as you correctly state, where as a result “ridiculed around the world”. However, I’m not so sure that Facebook being ridiculed globally is of any major significance to Mr. Zuckerberg , as his image of a corporate dictator, now expands beyond the corporation and constantly spills into the public domain. Effectively, Mr. Zuckerberg has positioned himself as a dictator as to what is and isn’t art and also as a dictator of the public that use the Facebook platform. Effectively, users are frequently disciplined like small children with no means or rights of recourse.

With regard to your proposal that qualified art institutions should be treated differently, I find this ludicrous and in no way taking into account or respecting the status of established art galleries and the artists themselves. Why should the latter be segregated, as without the artists, the art institutions themselves would not exist, in the same way as art would not exist if curatorial responsibilities were left to Facebook (as you rightly point-out).

Additionally, a lot of the censorship resulting in accounts being blocked or disabled seem to amount to nothing more than individual victimisation. If I may take myself as an example, wherein my own personal account is on average blocked for 30 days every 2 weeks or so. As I write my account is blocked, following my having shared (yes shared not posted) a post from my own official artist’s Facebook Page. The post in question was not made by myself, but by one of several administrators of my page. The post pertained to one of my own artworks, which I subsequently shared via my personal page. As a result, my account was once again blocked, yet the artwork in question was not removed or sanctioned in any way. In my opinion, nothing more than pure victimisation.

It is also worth noting that Facebook is awash with pornography or sexually titillating images of zero artistic merit, yet these are seemingly allowed because they apparently do not breach the Facebook Terms and Conditions. Obviously an increasingly ludicrous situation therefore and not one that I envisage is going to improve anytime soon.

Moving to the subject of Pinterest, it is interesting that you should make reference to them. I also maintain a Pinterest account and of late am receiving continued notification of post that I have shared from other pages, which apparently do not meet terms and conditions. However, as it is not I who made these posts (I simply shared them!), it’s not quite clear why I am receiving notice of posts pertaining to another party. I also maintain a Pinterest Board which depicts my own artworks, none of which have been removed to date, the majority of which have elements of nudity. I have written to Pinterest on this subject (as least they have a basis of communication, which is more than can be said for Facebook!), informing them that I am opposed to them imposing their censorship policies, especially where the posts do not pertain to me. However, I have also notified them that should any of my own artwork posts be deleted, I will close my account forthwith, as under no circumstances will I condone censorship of the arts (the message in question may be viewed via my blog: http://photoconception.com/blog/?p=1115). This resulted in a standard generic response, to which I again replied, indicating that the issue required a response from a living person. To date, no further reply has been forthcoming, which suggests one of several possibilities. Either Pinterest have no living persons and are thus unable to reply, do not know how to reply or lastly have simply decided not to reply. Whatever the excuse, no reply comes as no major surprise. Ultimately however, Pinterest are not Facebook, and if they decide to follow the route of Facebook, I would not wish to bet money as to the duration they will continue to be in business.

It’s a sad world in which we live, where censorship policies seem to be more severe than they were back in the middle ages. Is this progress I ask myself, certainly it is not from an artistic perspective.”

A Message to Pinterest

 

A message to Pinterest:-

Dear Sirs,

Of late, you have sent me frequent email messages advising me that you have removed content from my account due to it not being in compliance with your “acceptable use policy”. This suggests to me that your “acceptable use policy” requires urgent review.

To date, in all of your messages, you have stated the following with regard to the content in question “it was originally uploaded by you or another pinner”. In every case, the content was not uploaded by me (as you are obviously able to ascertain), in which case you should be addressing the issue with the person who did upload the content and not with myself.

However, in each case, you have stated that the reason the content was removed is because it contained “nudity”. Since when did Pinterest join the ranks of the Facebook puritans and since when has nudity been a crime or in any way harmful to society?

I myself am a very well established artist with international recognition. The works for which I am best known all contain nudity, but there again, so did the works of some of the worlds most famous artists, both living and dead. Aside from my role as an artist, I am also a art curator, art journalist and art educator. In every case, the content you have removed is artistic and as such, you are actually in direct contravention of an artist’s rights to freedom of expression, as defined in the The Universal Declaration of Human Rights and overseen by the United Nations Educational, Scientific and Cultural Organization (UNESCO). Presuming from your actions that you are ignorant to such legislative guidelines, I am attaching a variety of documentation for your review, in the hope that these may prove of assistance to you.

During the interim, I wish to bring to your attention that I am an avid activist in such matters, and opposed to censorship in all its forms. In-fact, I wrote a recent article on this subject matter, which you might with to read. You can find same via this link: http://art-antiques-design.com/2013/01/30/censorship-of-the-arts-by-thomas-hodges/.

To date, all of the content you have removed, is content not posted by me, but shared by me. Whilst I am totally opposed to your illicit intervention into my account, I have tolerated your intervention on the basis that it is not my content which you are censoring. However, in the event that you should censor or intervene on any post made by myself, I will close my Pinterest account immediately. Should this occur, I will instigate immediate legal proceedings against yourselves without further notice and shall forthwith bring your actions to the attention of the mass media via press, social networks and the like. I am confident that within a very short space of time Pinterest will be facing class action law suits from the masses, which without any doubt, will in the due course of time, inevitably lead to the demise of Pinterest. It would be a pity should this occur, but the public at large have on the whole had enough of puritan type intervention against nudity and artists in particular have rights which if motivated to do so, they will stand-up and fight for. I for one am more than willing to motivate them and I for one am more than willing to fight!

Thus, as I mentioned at the outset of the message, your “acceptable use policy” clearly needs urgent review and amendment, at least that is, if you wish to maintain the existence of Pinterest. You might also be interested to note that Pinterest is awash with pornographic commercial images that are in no way associated with the arts, although that is not to say that artworks do not contain sexuality (they have for centuries!) that could by some be defined as pornographic. However, a non-art related pornographic image can be spotted a mile away and as I say, Pinterest is awash with them. Thus, before you start censoring the arts, you might like to take a closer look at the nature of content on your website and address the more obvious issues.

I will now make this correspondence public and look forward to reading your response, in order that I may also make that public also. Ultimately, I hope I don’t meet you in court, but if you are adamant in pursuing the self-destruction polices that you are currently implementing, then undoubtedly I will.

Thank you for your attention to this matter and in anticipation of your prompt response.

Yours truly,

Thomas Hodges.

http://pinterest.com/thomashodges/

106 SUPER HOT ARTISTS FOR 2013!

Michael K. Corbin

Michael K. Corbin

Michael K. Corbin is an avid art collector, writer, full-time broadcast journalist, yogi and runner. A New York City native, he travels far and wide for art’s sake. He writes for various art websites that include www.absolutearts.com and of course, www.artbookguy.com.

I am delighted to have been listed by Michael as one of “106 SUPER HOT ARTISTS FOR 2013″. I recently all did an in-depth interview with Michael, which can be read HERE.

Thank you Michael, I shall do my very best to prove you right!

Happy New Year 2013

thh_xmas_2012

Taking this opportunity to wish everybody much Love, Peace, Good Health and Happiness in 2013!

From digital camera to print, what are the options? Thomas Hodges « Art, Antiques and Luxury Design Blog

My first article for the blog “Art, Antiques and Luxury Design”, to whom I will be contributing on a regular basis.  Click the link below to read.

From digital camera to print, what are the options? Thomas Hodges « Art, Antiques and Luxury Design Blog.

Special Delivery

Special Delivery (B&W Editions)

Special Delivery (Colour Editions)

Special Delivery (Inversed Editions)

I am pleased to announce the immediate release of the artwork series “Special Delivery”, which was originally produced in 2009 and is now being made available as three independent series, with each image of each series being individually unique.  The theme of the series is self-evident, namely “naissance” and all it entails!

The three series in question are produced in black and white, colour and a special treatment negative version which I have termed “inversed”.  Each respective print is available as an edition of 5 (+2 a.p).  Print sizes vary according to the series.  Both black and white and colour editions are available in both 60cm x 40cm and 80cm x 60cm, whilst the inverted editions are 100cm on the longest edge.  Each are archival pigment prints, signed, numbered and dated verso and accompanied by a Certificate of Authenticity signed by the artist.

The three series in question are now listed chronologically (2009) on my official website and can be viewed via the following links:-

Black and White Editions

Colour Editions

Inverted Editions

Ethnicity

Ethnicity One ~ the series

Ethnicity One ~ the series

Ethnicity Two ~ the series

Ethnicity Three ~ the series

The artworks entitled “Ethnicity” have just been released in three series, entitled “Ethnicity One, Two and Three” respectively.  Each series had 24 works and each work is available as an edition of 5.  Each work is available in two sizes, specifically: 40cm x 60cm and 60cm x 80cm.  Regardless of size, each work will be strictly limited to an edition of 5 in total.  The works are black and white toned archival pigment prints on Hahnemuhle FineArt Baryta paper. Matted and framed to museum standard.

As the title suggests, “Ethnicity” is intended as a figurative study of ethnic origin and interaction (not to be confused with “race”).  An interesting comparison of the difference between “ethnicity” and “race” can be found via the webpage entitled “Ethnicity vs. Race”. The three artwork series can each be viewed via the respective links: Ethnicity One, Ethnicity Two and Ethnicity Three.

Propaganda ~ Inauguration and Exhibition at Taiwan Photo

On 4th October 2012 my artwork series “Propaganda” was inaugurated at the VIP preview of Taiwan Photo, staged in Taipei, Taiwan.  Photographs of the inauguration can be seen via this link and additional photographs of the Taiwan Photo Art Fair can be viewed via this link, both of which are albums shown on my official Facebook page.  The series consists of 12 artworks, each depicting a nude figure (6 female and 6 male), upon which propaganda posters of the period in question have been super-imposed.  Each figure is depicted against a representational back-ground of photographic/graphic origin.  Each artwork is available as an edition of 4. Measuring approximately 100cm on the longest edge (depending upon the artwork in question).  Specific details are shown on the image above.

The series is a unique way of presenting the influential imagery and messages used by the government to influence the thinking and mind-set  of the population of the People’s Republic of China during the respective periods.  A full explanation of the series in the form of PDF documents, can be found via these links: Propaganda (English) and Propaganda (Chinese).

Subsequent to Taiwan Photo, the artworks will exhibit be the subject of gallery exhibitions in Taiwan, and subsequently at public Museums in both Taiwan and Mainland China.  The series will also be exhibited at selective gallery venues in Singapore and Hong Kong.

The full series can be viewed in high-resolution HERE.

Propaganda Inauguration at Taiwan Photo 2012

Propaganda ~ Signing of the First Editions

Propaganda ~ Signing of the First Editions

Propaganda ~ The Artwork Series


My long awaited artwork series “Propaganda” will inaugurate on the 4th October 2012 at the VIP preview of Taiwan Photo.  Taiwan Photo is the country’s only international photographic art fair, and opens to the public the 5th October 2012 through to the evening of 10th October.  The fair is only in its second year of existence, but has received significant patronage with major international galleries notably from Japan and Europe, participating along-side local Taiwan and Mainland Chinese exhibitors.

Propaganda is one of two featured solo exhibitions, organised by representing gallery 1839 Contemporary Gallery.  Propaganda will subsequently feature as a solo exhibition in 1839 CG, and is also scheduled  for public exhibition in major museum venues in both Taiwan and Mainland China.

Detailed information on the artwork series and the history of Chinese propaganda posters in general, can be read HERE (in English) or HERE (in Chinese)

Nishikigoi

Nishikigoi

Nishikigoi

Nishikigoi

In the photos above, my artwork “Nishikigoi” can be seen hanging in the entrance lobby of Nan Gallery, Taipei. The first Western artist to exhibit at the gallery, which was one of the first in Taiwan, founded 30 years ago.  The work is currently with Der-Horng Gallery (http://www.derhorng.com/en/index.php), my representing gallery in Tainan.

The word koi comes from Japanese, simply meaning “carp”. It includes both the dull grey fish and the brightly colored varieties. What are known as koi in English are referred to more specifically as nishikigoi in Japan (literally meaning “brocaded carp”). In Japanese, koi is a homophone for another word that means “affection” or “love”; koi are, therefore, symbols of love and friendship in Japan. An example of this can be seen in the short story by Muk?da Kuniko, “Koi-san”. The koi is also an often recurring symbol in Irezumi, the Japanese art of traditional tattooing.

The work in question is a photographic pigment print on hand-made cotton based fine-art paper. It comes from a series of four artworks, which are the first of new works produced under my Chinese name, with a specific focus on East Asia. It bears my official chop (seal) on the front lower right side and is signed, numbered and dated verso. Framed in wood behind plexiglas, and bordered in Chinese gold brocade, woven from 24 carat pure gold. The work is a limited edition of 3 (+1 a.p.), and measures 180cm x 125cm (framed size). The full series of four artworks can be viewed on my official website via this link.